It has been quite some time since the public caught a glimpse of the acclaimed actor Daniel Day-Lewis. Following his statement in 2017 that he would no longer pursue acting, prior to the release of Phantom Thread, Day-Lewis withdrew from the spotlight. However, during his hiatus, his reputation expanded further.
Largely, this reputation revolves around his preferred style of working. Being an actor known for disappears into his characters – for example, during Lincoln, reportedly asked Steven Spielberg address him as “Mr. President” for the entire production – audiences has grown increasingly obsessed with how he works. Did he really send texts to Sally Field as Abraham Lincoln? Was it accurate that he only eat animals he’d killed during Last of the Mohicans? Did he insist on being spoon-fed for My Left Foot?
Extreme acting methods: have we lost interest with actorly excess?
Currently, Daniel Day-Lewis is back to public attention, with some hesitation, promoting his latest movie Anemone. And he is taking this chance to vocalise his anger regarding how method acting is perceived. “I’m a little cross these days to hear various individuals talking carelessly and using phrases like ‘gone full method’, which I think is meant to imply that someone is behaving like a lunatic in a drastic way,” he stated to a major publication. “People often concentrate on the less important aspects of acting, and these elements always seem to involve some form of self-punishment or a situation that causes a severe discomfort or psychological strain. But of course, in the life of an actor, it must principally be about the internal work.”
To be honest, this sounds like Day-Lewis has emerged from seclusion and found himself aghast at the world that has been created in his image. If you’re regarded as among the best actors to ever work, and your process includes striking a prop until you break your nose (for Gangs of New York) or enduring 48 hours in isolation without food or water (during In the Name of the Father), it’s natural that other actors will want to emulate that example by imitating their idol.
In other words, we exist in an environment populated by half-cocked Day-Lewis impersonators who strive only to demonstrate the sheer amount of effort they invest in their roles. On the milder side of this trend we have people like Lady Gaga, who was determined to earn an Academy Award for House of Gucci that she dedicated the entire promotion trying to convince everyone that she became an Italian native over 18 months as preparation.
Additionally, there is Jared Leto, who decided to deeply embed himself in the character as the Joker (for Suicide Squad) by sending “horrifying” gifts to fellow cast members. These items, according to various accounts, included dead pigs and rats to anal beads and personal hygiene products, although Leto denied those worst excesses. Then, of course, there is Jim Carrey, who went so deep into Andy Kaufman for Man on the Moon that filmmakers succeeded to get a full-length documentary from behind-the-scenes footage of him causing difficulties to the utmost for everyone around him.
The main practitioner of the Method at the moment seems to be Jeremy Strong (formerly Day-Lewis’s assistant), whose approach during Succession was so rigorously detailed that it formed the basis of a critical magazine feature, full of quotes from individuals who were worried about his conduct (“The toll to himself concerns me,” said co-star Brian Cox) or extremely irritated by his actions (“I remember him causing everyone else roll their eyes,” stated an anonymous cast member).
The actor claims he ‘never intended to retire, really’
There are so many other examples. Andrew Garfield went celibate for six months for Silence. Leonardo DiCaprio rested inside a dead animal during The Revenant. There’s a fighting chance that Austin Butler still speaks in the style of Elvis, years following that film came out. All of this, to some extent, aims to evoke the seriousness with which Day-Lewis approaches his work.
Moreover, although his rebuttal to critics of the Method could be commendable, a short publicity tour may prove insufficient to alter perceptions, let alone their behaviour. Perhaps if he wishes to make audiences recall the true essence of the Method, or to demonstrate its potential results, then Day-Lewis’s best bet is to simply start making additional movies. Certainly everyone would get behind that.
Elara Vance is a wellness coach and writer passionate about sharing strategies for positive mindset and holistic living.