An activist organization has claimed to have harvested millions of songs from the popular streaming service and is preparing to release them publicly.
Industry experts noted the apparent data breach could aid AI companies searching for material to train their models.
An entity known as Anna’s Archive reported it had obtained 86 million music files from Spotify and 256 million rows of metadata such as performer and album names. Spotify, which hosts more than 100 million tracks, confirmed that the leak did not constitute its entire inventory.
“We have identified and disabled the malicious user accounts that were involved in illegal scraping,” said a Spotify spokesperson.
The Swedish company, which has more than 700 million subscribers worldwide, added that an inquiry into unauthorised access found a third party collected public metadata and employed questionable tactics to bypass DRM [digital rights management].
The streaming service does not think the music acquired by Anna’s Archive has been released yet. Anna’s Archive, which is known for offering links to pirated books, wrote in a blog it wanted to create a ‘preservation archive’ for music.
The group asserted the audio files accounted for 99.6% of all music listened to by its listeners and would be distributed via ‘peer-to-peer networks’, a method of exchanging large data files online.
“Naturally the service doesn’t have all the music in the world, but it’s a great start,” commented Anna’s Archive, which describes its mission as “safeguarding humanity’s knowledge and heritage”.
Ed Newton-Rex for protecting artists’ rights, remarked the breached music would likely be utilized for training AI models.
“Educating models on pirated material is sadly widespread in the tech sector, so this accessed music is highly likely to be used training AI models,” he stated.
The group's website alludes to a large online archive, a vast online repository of pirated books that has allegedly been leveraged by Meta to train its systems.
The co-founder of an AI startup posted on LinkedIn that members of the public could in principle “build their own private free version of the service”. He said it could also allow tech companies to “educate models on modern music at a large volume”.
Copyright has emerged as a battleground between artists, writers and creatives on one side and AI companies on the other.
Across Britain, creative professionals have raised concerns against a government suggestion to let AI companies use protected work without permission unless the owner signals. Virtually every participant to a government consultation on the proposal has supported artists’ apprehensions.
A government minister for science, innovation and technology informed parliament this month there was “no clear consensus” on the matter, noting that ministers would “take the time to get this right”. The administration has committed to make policy proposals on AI and copyright by March 2025.
Elara Vance is a wellness coach and writer passionate about sharing strategies for positive mindset and holistic living.